Read into it what you will (as I did at the time), but it seemed a spooky piece of symbolism.
Monday 14 September 2009
We see September 11th everywhere
The morning of September the 10th, 2009: whilst sitting in the office, casually chewing on a pack of Munchies, as I tear back the wrapper during the course of the morning, the pattern it was developing seemed to resemble that of the smoke billowing from one of the twin towers of the World Trade Center in New York.
Read into it what you will (as I did at the time), but it seemed a spooky piece of symbolism.
Read into it what you will (as I did at the time), but it seemed a spooky piece of symbolism.
Sunday 6 September 2009
Come Back Round the Horne
A pleasant weekend with a friend of mine over from Worcestershire Robert ("Bob") Cole, who came along to check out Colchester once again, and to see Round the Horne at the Mercury Theatre, in a touring production performing two radio broadcasts of the original classic radio series, notable for certain outre elements such as the two gay (in both the old and new sense of the word) characters Julian and Sandy, played of course in the original by such icons as Kenneth Horne, Hugh Paddick, Betty Marsden and of course, Kenneth Williams. The actors given the unenviable task of emulating their 1950's counterparts I thought were very good vocal and facial imitations of the originals, in particular Robin Sebastian as Williams bringing out not only the great man's range of bizarre and wonderful characters but also his sharp sense of improvised repartee with the audience.
I found it not terribly dissimilar to recent radio broadcasts in the theatre that I've attended (such as I'm Sorry I Haven't a Clue), and a pleasant evocation of the era in which it was broadcast, complete with lyrical and entertaining musical interludes from 'Not The Fraser Hayes Four'.
A slightly more peculiar slice of comedy nostalgia was to be found in a rare DVD collection of Come Back Mrs. Noah, a sci-fi comedy written by Jeremy Lloyd and David set in a satirical 2050 drawing upon 1970's influences such as Nationwide (aka. "Farandwide" presented by Gorden Kaye) and the British trade surplus, etc.
Unusually for Lloyd and Croft, CBMN is not a situation comedy as such but an ongo
ing story in 6 chapters. I watched the series in baited anticipation of whether Mrs N. would ever get back home to Earth - sadly, the resolution is not a satisfying one. A pity in a way, because with the range of characters and actors on display, there was something to be made from their interaction, especially as they are all pleasantly older and less "sexy" than they certainly would be today if - perish the thought - the series were ever remade (British class distinction is also quickly established even in outer space between officers and underlings), rather than focusing all the time on silly props and even sillier jokes that usually involve Mollie Sugden in uncomfortable positions.
The fifth episode ("The Housing Problem") is quite promising and for me the most enjoyable, where the members of Britannia 7 try to rehabilitate themselves with a simulated version of life back on Earth by inviting each other to tea, with mechanised butler and maid robots (played by Christopher Mitchell and Vicki Michelle), and underlining the fact that good science fiction is not really about faraway worlds, but in essence a window and a reflection on our own.
In all truth, this is a series that would normally have never got past the pilot episode - but with all its credentials, the BBC gave it the green light probably as an act of blind faith. Like The Goodies and many other 70's comedy, it remains a show locked in its own time.
I found it not terribly dissimilar to recent radio broadcasts in the theatre that I've attended (such as I'm Sorry I Haven't a Clue), and a pleasant evocation of the era in which it was broadcast, complete with lyrical and entertaining musical interludes from 'Not The Fraser Hayes Four'.
A slightly more peculiar slice of comedy nostalgia was to be found in a rare DVD collection of Come Back Mrs. Noah, a sci-fi comedy written by Jeremy Lloyd and David set in a satirical 2050 drawing upon 1970's influences such as Nationwide (aka. "Farandwide" presented by Gorden Kaye) and the British trade surplus, etc.
Unusually for Lloyd and Croft, CBMN is not a situation comedy as such but an ongo
ing story in 6 chapters. I watched the series in baited anticipation of whether Mrs N. would ever get back home to Earth - sadly, the resolution is not a satisfying one. A pity in a way, because with the range of characters and actors on display, there was something to be made from their interaction, especially as they are all pleasantly older and less "sexy" than they certainly would be today if - perish the thought - the series were ever remade (British class distinction is also quickly established even in outer space between officers and underlings), rather than focusing all the time on silly props and even sillier jokes that usually involve Mollie Sugden in uncomfortable positions.The fifth episode ("The Housing Problem") is quite promising and for me the most enjoyable, where the members of Britannia 7 try to rehabilitate themselves with a simulated version of life back on Earth by inviting each other to tea, with mechanised butler and maid robots (played by Christopher Mitchell and Vicki Michelle), and underlining the fact that good science fiction is not really about faraway worlds, but in essence a window and a reflection on our own.
In all truth, this is a series that would normally have never got past the pilot episode - but with all its credentials, the BBC gave it the green light probably as an act of blind faith. Like The Goodies and many other 70's comedy, it remains a show locked in its own time.
Thursday 3 September 2009
70 Years On
I woke this morning, September 3rd 2009, rather earlier than hoped, to a violently windy atmosphere outside. September 3rd 1939 was also apparently a rather stormy night across 
Britain, the evening that Neville Chamberlain made his fateful speech. For Poland, it was already two days into a nightmare that lasted not just for the next six years but also through six decades.
In a sense, the Second World War was the Fifty Years war, inasmuch as its repercussions were to have a lasting effect until 1989, when Stalin's occupation of East Berlin (as reprisal for Hitler's invasion of Russia) came to an end with the breaking of the Berlin Wall, and all the subsequent oppressions of Communism and the Eastern Bloc.
Many wars have come and gone (and some are still very much ongoing), but across the globe we learnt most of our lessons the hard way from World War II. Please God, we may never have to learn them so grimly again.
Britain, the evening that Neville Chamberlain made his fateful speech. For Poland, it was already two days into a nightmare that lasted not just for the next six years but also through six decades.In a sense, the Second World War was the Fifty Years war, inasmuch as its repercussions were to have a lasting effect until 1989, when Stalin's occupation of East Berlin (as reprisal for Hitler's invasion of Russia) came to an end with the breaking of the Berlin Wall, and all the subsequent oppressions of Communism and the Eastern Bloc.
Many wars have come and gone (and some are still very much ongoing), but across the globe we learnt most of our lessons the hard way from World War II. Please God, we may never have to learn them so grimly again.
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